- WHAT'S RATTLIN' ?
:: The Weekly
Digest for Canterbury Music
Monday, July 5th,
Date: Mon, 14 Jun 1999 13:45:08 EDT
I'm very pleased to announce that we will be releasing
another CD in our Soft Machine series - "Noisette" in January,
2000. I have just received the signed contract back from the
It is the rest of the concert that "Facelift" came from -
Fairfield Hall, Croydon, January 4th, 1970. We will NOT be
including Facelift on the CD, as that recording is already easily
available on "Third".
This release marks the first time that any of these
recordings have been available & we are especially happy to be
able to release Noisette on the 30th anniversary of the recording
of this concert. It is also the first full length release to
feature the short-lived quintet version of the group [Dean,
Dobson, Hopper, Ratledge, Wyatt]
The recordings come straight from Bob Woolford's archived
15 ips reels, & they sound fantastic - significantly better
than the sound on Facelift on Third, as there was much processing
done to those tapes for Facelift, so that they are several
generations removed from the originals, & sound somewhat worse
for wear compared to the original tapes.
The tracks will include:
Hibou, Anemone & Bear
Moon In June
Esther's Nose Job
We Did It Again [encore]
Thank you for your interest.
From: "David Voci" <firstname.lastname@example.org>
Subject: A direct answer from Fred Frith
Date: 25 Jun 99 16:25:04 -0700
>> Didn't HC archive their live shows onto tape and
put them into vaults
>> as a lot of musicians did which have been
released onto CD in current times?
has gotten alot of back and forth lately so I asked Fred
his opinion and he wrote:
Henry Cow is still a collective: Chris has been
collating tapes for a
long time, and there are quite a few, but nothing will be
him unless we all agree. So the situation is not one of
We are all regularly in touch, and something may
eventually see the
light of day. meanwhile there are several bootlegs
especially in japan....
From: chris cutler <email@example.com>
Subject: The Henry Cow legacy
Date: Sun, 27 Jun 1999 06:01:10 -0700
greetings from Kyoto (touring with Gong Family - a
pleasure) and sorry Aymeric if this a bit long. Feel free to edit.
>Subject: Henry Cow live shows & remixes
>Didn't HC archive their live shows onto tape and put
them into vaults ?
Yes, we recorded most of our concerts, but on cassettes
and the quality is frankly... poor. Our active life was before the
days of dat, minidisc and video, ubiquitous today. In now fact
it's a miracle if a concert isn't recorded on several media. Not
so then. The Cow cassettes are all desk mixes too, so inbalanced
for the most part, and of course not re-mixable. But it's true Cow
was a primarily a live band, the records do not say the 50th of
>If they did then I'm sure that Chris Cutler would have
some sort of plan to
>go through them all and release the best stuff.
Yees.. many years ago I did go through about 60 of them,
and annotated them, but the quality, the quality... and yes there
is a lot of unreleased material, in the sense of songs we
performed and never recorded. But finding versions that are
>back in 1978, Chris wrote in one of his catalogues
that one of the plans
>was to release an album of live recordings.
Actually I thought there would be material enough for at
least 7 LP's, following the various periods and projects. With the
re-mastering facilities available today, it begins to look
practical to reopen this project. Then it's a question of finding
the time to listen closely to 100+ concerts at 2 to 2 and a half
hours each.. Coincidentally, however, I have started to compile a
first volume which, band members permitting, should be out early
>On the other hand he has been very blunt in stating
that "no good quality
>recording exists of the Orkestra" (and, btw, this
applies also to Art
>Bears concerts), so we can be sure that unless someone
comes up with an
>unknown tape, we will never have anything released of
the merged group
>Henry Cow + M.Westbrook Orchestra + Frankie Armstrong.
This is correct. All of our own cassette recordings of the
Orkestra tour were stolen at the last concert - maybe by a 'fan',
so that was that. The only remaining known recording is a
multitrack of the Paris concert. We failed even to get one track
sounding viable for a compilation. Art Bears - I can't remember,
but there is only one tape, from Prague.
>I didn't find anything so obnoxious about the "Unrest"
remix, of course,
>except the inadequate volume level.
Of the 3 virgin albums, Unrest was the only one not
remixed. ESD (I suppose) just made a dog's dinner of the transfer.
On our reissue it is properly restored.
>What I would find more interesting is a debate about
the actual meaning of
>these ex-post remixes done by the artists
themselves... in the case of
>Henry Cow is what kind of collective debate has led to
the remix decisions.
>We know that when HC existed all decisions were taken
collectively, and this
>was a very peculiar characteristic of the group... it
seems to me that the cd >versions are the responsibility only
of some members of the group.
>Is this true?
Yes, initially, as I recall, it was I who proposed
remixing IPOL (which the group was never happy with). Then the
masters of Legend were lost, which seemed to mean that if it were
to be reissued it would have to be remixed. Tim and Fred did the
remixes. There was no discussion amongst the group members about
it that I can remember.
>Why is that?
Tim, who was nominated to be in charge of Henry Cow's
business affairs is probably the best person to ask.
>What do the other members think of the remixes?
If they read this I hope they will answer themselves. My
feelings are - first, I defend the idea that artists should be
able to rework their earlier material (as one can edit an article
for republication with what one has learned in the meantime taken
into account. Work is not always finished when it first sees the
light. Second, in the case of Henry Cow, I would have preferred
that all the members involved in the recordings had made the
remixes together (as the original mixes were made) though this was
probably impractical and would have proved very expensive, had we
pursued it. I don't think that option was ever mooted, but someone
may remember better. And if a remix is made, then I think, where
possible, the original should still be available, so that the
listener can choose. We like what we like because we like it !
That's why I have reissued Legend and Unrest (IPOL to follow) in
their original form and carefully remastered and repackaged them.
>is there any internal - post-split - agreement which
leaves Tim, Fred and
>Chris the sole (or main) depositories of the HC
I'm glad to clear this one up.
There is no split inside the (rather large) group of
people who made up Henry Cow, though there are different degrees
of commitment and activity. Tim deals with ongoing Cow business
because he was nominated by the last ones out to do so. And
in the meantime, many of us have worked together on different
projects, only last month Fred, Tim and I were all playing
together at Moers. Lindsay was there too, though she is unable to
After the Art bears, Fred and I frequently worked together
as a duo and in one another's projects (he is on the new song
record I will release in September, I am on his last release), Tim
and I work as an occasional duo too and with Ana Maria Avram,
Iancu Dumitrescu and the Hyperion Ensemble (record just out).
Lindsay and I played together for years in News from Babel, her
Music For Films group, Oh Moscow and with David Thomas - and I was
recently involved in the orchestra versions of the Oh Moscow suite
at this year's Angelica Festival. With Dagmar I made 7 Post Cow
albums and she and Tim also have an intermittent project together.
John Greaves and I still record and perform regularly in the Peter
Blegvad trio (Fred was an added guest recently in New York).
Georgie Born stopped playing some time ago but before that
she and Lindsay were for a long time in The Feminist Improvising
Group and various Mike Westbrook ensembles; she was also in Music
for Films. Geoff and I worked together for a while in the Black
Sheep and The Headmasters when he was living in Holland, but
generally he, like Georgie, has not kept so much in touch with
other members of the group.
Other than investing Tim with custodianship of Henry Cow's
business affairs, we ordered our financial post-existence matters
as follows. Each member of the band - and this includes all the
sound engineers, road-managers and organisers not just the
musicians - we were a collective organisation, not just a
collective band - receives 1 share for each year that they were in
the group. So over the 10 year life of the group there is a total
number of person-years. Any income is divided by this number and
each member receives that amount times the number the years they
were in the group. Henry Cow was and remains a legal partnership.
Finally re: the legacy, I think Fred kept a diary, John has an
eidetic memory and Lindsay has begun to write...
>I wonder why Chris does not re-release also Western
Culture with the
>addition of (a remixed!) Viva Pa Ubu and Slice.
I'd like to. Question of negotiating with Tim. I'd like to
continue the definitive series I started. As well as at least one
collection of unreleased material next year. Encourage me !
Finally - sorry this so long - on the subject of re
re-mixes. I am planning, for release in 2000 a double CD of Art
Bears remixes/reworkings, made by, amongst others, myself, Fred
Frith, Etienne Conod, Tim Hodgkinson, The Residents, John Oswald,
Otomo Yoshihide, Heiner Goebbels, Bob Drake, BIOTA, Jon Rose, Rene
Lussier, Joseph Racaille, Utsunomiya Yasushi, Warrick Swinney, Bob
Ostertag, Ossatura, Massimo Simonini, Rene Lussier, Richard
Barrett, Lars Pedersen, Tom Dimuzio, Lutz Glandien, Stevan
79 beulah rd, thornton heath
surrey CR7 8JG. UK
44 181 771 3138 FAX
From: Bill Maccormick
Subject: Annie Whitehead / Robert Wyatt Project
Date: Fri, 25 Jun 99 22:46 BST
You may be interested to know that Phil Manzanera is also
doing these concerts. Also, that Phil's new album (featuring
Robert on trumpet, percussions and backing vocals) will be out in
Lastly, we have located the two sets of Quiet Sun demos
and may release them in the autumn either with or separate from an
official re-release of the Quiet Sun CD. In addition, we
will be releasing a complete version of the 801 Live album (2
extra tracks) and Phil's first solo album, Diamond Head.
More info on Phil's website at http://www.manzanera.com
From: TIM HODGKINSON
Subject: Henry Cow
Date: Thu, 1 Jul 1999 16:49:24 -0400
Hi. A few additions to Chris' stuff...
> Tim and Fred did the remixes. There was no discussion
amongst the group
> members about it that I can remember.
>> Why is that?
I think the
reasons were largely circumstance. Combined with our (partly
mistaken) assumptions about other people not particularly wanting
to be involved. I think atleast cursory discussion took place
between Chris, Fred and myself as to possible approaches for both
IPOL and Legend. Fred suggested me and him doing IPOL in New York,
because of his particular interest in Martin Bisi's approach to
sound and mixing at the time. I discovered at the last minute that
the multi-track masters had been recorded on a proto-type
noise-reduction system of which no exact equivalent survived. To
avoid what would have seemed like massive expenditure at the time,
we hired in a rack of compressor-expanders which only
approximately decoded the noise-reduction.This was one more factor
that pushed us towards the gated reverb sound.
All the H.Cow
multi-track masters are a technical nightmare, by the way:
badly recorded tracks that swop around in the middle of numbers
and so on. (I attribute this to the fact that we drove our
recording engineers berserk: we also changed our minds a lot about
everything, and also tried to record music we couldn't actually
play, etc, etc..)
When it came to
Legend, for most of the time there just wasn't anyone else around;
the idea was to get the job done (we hadn't chosen to remix it:
the stereo masters had been lost) ; I remember it being extremely
difficult mixing stuff on my own in a studio which only had DAT to
master onto. For some reason, editing the DATs was impossible, or
very expensive at the time. Or atleast I thought so. So I mixed
the tracks in single right-through takes with hundreds of things
to do during the takes.
On working with other HC members. I
toured with Fred as a duo a few times, a while back. I've also
worked intensively with Dagmar Krause on the songs on the "Each in
Our Own Thoughts" CD, and in the "Stop Mortal" project. Also on
the "Alcestis" project with Ossatura - with text by
Chris. Chris and I have also done duo tours.
Should be person-month, not
person-year...(for share system).
all the best, tim
Subject: Peter Blegvad in Paris
Date: Tue, 29 Jun 1999 08:05:34 EDT
In company with fellow Rattler Tom Landon, I went to see
Peter Blegvad who was playing support to Robyn Hitchcock the
atmospheric (sic) Hotel du Nord. My acquaintance with PB was
limited to his work with Henry Cow and John Greaves until my pal
Tom recently lent me his copy of King Strut which is a truly
exceptional album (if not exactly Canterbury). Last night he
played with John Greaves on bass, Syd Straw on lead and backing
vocals (and kazoo) and with Robyn Hitchcock on harmonica for the
In the meantime (solo)
You and me (with JG on bass)
That'll be him now
Shirt and comb
Waste of time
Daughter (with JG and SS on vocals)
Meet the rain
Let's travel light (ditto with SS on kazoo)
Hangman's Hill (JG and SS on vocals)
Gold (SS on lead vocals - superb!)
King Strut ( JG, SS and Robyn Hitchcock on harmonica)
At least that's what I can remember but there was a lot of
euphoria in the air which will explain anything I may have
forgotten. We managed to have a brief chat with PB during the main
act (very good too BTW) but by this time euphoria had taken over
more or less completely and details are vague. I remember asking
why he didn't do Kew Rhône or Le Garçon Vert (two of my
favourites) and he said they would have been too complicated which
is certainly true, alas. Also present were a number of very
charming Canterburians including Pip Pyle, François Ovide,
Mireille Bauer and of course John Greaves who were very
approachable and affable.
Subject: LPs for sale
Date: Sun, 27 Jun 1999 07:22:46 EDT
Hello from New York,
I have a small private collection of Canterbury that I
want to sell. This collection includes a rare Brotherhood of
Breath (Chris McGregor) LP on RCA. I'd like to sell the whole
collection in one piece. But would be willing to sell individual
pieces as well. Some very nice rare stuff - no list yet but I can
be reached by e-mail or phone (718 835-6872). Any help in selling
this collection will be appreciated.
From: José Sahagún <firstname.lastname@example.org>
Subject: Buy Caravan's CDs
Date: Mon, 28 Jun 1999 11:35:47 +0200
Nice site for a great style!
The Album "In the Land of Grey and Pink" is one of the
best progressive rock albums in the history. That's why I have to
continue my Canterbury progression. I want the second Caravan's
album titled "If I co do All..." but I can't find it anywhere. Can
you help me?. I want it in CD version if it's possible.
Jose Sahagun Pareja (email@example.com)
Vota tus discos de Rock Progresivo! Vote your fovourites
"Rock Sinfonico / Progressive Rock"
Asociacion de Paginas Hispanohablantes de Rock Progresivo
From: PT <firstname.lastname@example.org>
Subject: looking for DJs
Date: Mon, 14 Jun 1999 10:30:51 +0200
I assume that some of you on this list are American
college radio DJs or have a speciality show on an American radio
station playing progressive, Krautrock, space rock, etc
or perhaps you just know about a speciality radio show....
anyway, I work for a new record label called Innerspace -
and we have just released a new CD by Daevid Allen of Gong.
we are getting ready to mail out promos to college radio -
and rather than send them to music directors, we would rather post
them off to anyone we can find that has a show that specializes in
++++ Please only contact me if you have a radio show in
the USA, we are not servicing European radio at this time.
so, please email me directly at: email@example.com
and let me know who you are and where you are and I will be happy
to send you something.
From: rain rien <firstname.lastname@example.org>
Date: Wed, 30 Jun 1999 16:11:17 -0700 (PDT)
webmaster request to know if matching mole and daevid
aliens elements are available for purchase ?
THINK YOU RAIN RIEN NEVERMIND
From: "Terry Collins" <email@example.com>
Subject: John Martyn's Canterbury connections
Date: Thu, 1 Jul 1999 11:30:06 +0700
Hi there, once again.
Indonesia has 1000th of the number of cyber servers per
web users that you lucky people have in 'the West', so as an
ageing hippy I've got even more of a learning curve with regards
to staying subscribed to WR. Not having received WR for a while, I
wonder if I've inadvertently 'unsubscribed'. I hope not, because
I've only just managed to download issues 1-51, though number 2
was missing, and have truly come to appreciate what a fine job
Aymeric has done in keeping us Fanterburies together as a family.
These are a few belated comments I really do miss live
music - of quality, that is. It's 12 years since I have been
able to pop in a local pub for jazz or quality rock or
eagerly anticipate a special gig at the Lyceum or
Hammersmith Odeon. c.1972/3 I ventured to a pub in Clapham,
with my then girlfriend, to listen to a 'folk' performance by
Bridget St.John. She was then mentioned in the same breath as
Sandy Denny on the basis of her first album, which was itself the
first release on John Peel's label, Dandelion. For me, the
highlight of the evening was my girlfriend winning the night's
star prize in the raffle, a copy of that album, Ask Me No
Questions, released on CD with the second album, Songs For
The Gentle Man, by See For Miles in 94. Urbanised country lovers,
and ex-pats like myself, like to chill out to the title
track, preferably with headphones on. It's 7+ minutes
includes the soundtrack to a Sunday afternoon in the garden
of an English (Kentish?) village cottage. Church bells,
blackbirds and sundry sounds meld into a gentle ambience,
with fine acoustic guitar work from John Martyn and Ric
Sanders. Bridget St.John is, I believe, the duetist on
Kevin's The Oyster & The Flying Fish on 1970's Shooting At The
Moon. John Martyn was also the guitarist on Neal Ardley's Music
(Harmony?) Of The Spheres, which had a host of fine British
jazzers interpreting the score. Check out John Martyn's 1991
album, Cooltide, for some blistering sax work from the
Bristolian, Andy Shepherd. Good grooving. Canterbury connection?
Well, he plays on the BIG Carla Bley Band's Fleure Carnivore
recorded live in Copenhagen 1988 (WATT/21). Check out that label
for Canterbury musos.
My music collection is eclectic, and has largely grown
through reading record sleeves, including the minor credits
for engineer, backup singers etc., even if covered with
Rizlas. The Penguin Cafe Orchestra, with Geoff Richardson and the
late Simon Jeffes, was a natural to explorers of connections.
Jeffes was the orchestrator of Caravan's & The New Symphonia.
I was there, incidentally. Does anyone else recall the
re-recording of the first track after the show was over, because
the sound engineers hadn't got a good first take? I could ramble
on, but my main impression of those early issues of WR is that our
interest in music of quality, humour and individual musical
creativity largely stems from our early exposure to the Canterbury
scene. Our 'heroes' were 'anti-heroes' in their disavowal of a
hedonistic rock and roll lifestyle. Dammit, they were as poor as
we were! (I once shared a macrobiotic lunch with Dave Sinclair) I
have never thought of John Martyn being part of the Canterbury
scene; but he, like Kevin Coyne and XTC, displays the same
qualities as the best from the men of Kent. So who else can
Rattlers turn me/us onto? I look forward to downloading all the
Regards, Terry Collins
From: Rich Williams <firstname.lastname@example.org>
Subject: Rare Canterbury Vinyl available
Date: Thu, 1 Jul 1999 19:56:15 -0400
Please forgive the lack of intelligent discourse on
anything Canterbury, but I just wanted to let all of my fellow
collectors know about my new set sale list at:
I'm getting rid of the last vestiges of my Vinyl obsession
and have a lot of out-of-print Canterbury related items, including
the 5 original Dave Stewart/Barbara Gaskin singles, as well as a
copy of The Ghoulies "Dogged by Dogma" LP that features Dave
Stewart & Pip Pyle.
From: "Theo Travis" <email@example.com>
Subject: Theo Travis mail news
Date: Sun, 4 Jul 1999 11:08:18 +0100
THEO TRAVIS E-NEWS
* The Theo Travis Quartet is performing at London‚s
legendary Ronnie Scott‚s Club in Frith St , Soho from Mon 12 July
to Sat 17 July. The line up is Theo (tenor sax and flute), David
Gordon (piano), Andy Hamill (double bass) and Marc Parnell
(drums).The band will play two sets each night, one at 9.30 pm and
one at 11.50pm The band will be playing a mixture of Theo's new
compositions, tracks from Theo‚s various CDs and arrangements of
some classic jazz standards. Tickets are available from the Box
Office on 0171 439 0747
On Wed 14, Thur 15 and Fri 16 July, the quartet is being
recorded for a Live CD to be released in the autumn. There is a
special offer for fans of the quartet for the best seats in the
house (front two rows) on those nights. Simply call up the club
and say "I am on the Theo Travis mailing list", and you will be
given seats in the front rows. These seats are no smoking so if
you want to smoke you'll need to sit elsewhere. Also
appearing on the bill is American pianist Geri Allen and her trio.
This is an exciting one-off chance to be present during the
recording of a Theo Travis album.
An extensive UK tour is currently being set up for
November 1999 to promote the album. Dates will be posted on Theo's
website as soon as they are all confirmed.
* The music book comprising the sheet music of 11
compositions of Theo's from his 3 solo albums is now finished and
available. Tunes included are Lulworth Night, Shore Thing,
Freedom, The Book, Three People, Full Moon Rising, Waterlily
Boogie, Out of Sight Out Of Mind, Sex, Food and Money (Part 2 ),
Fish and I'm Coming Home. Parts are in concert key and also
written out for Bb instruments. Copies will be £10 each (plus £1
p&p). If you are interested, please send an e mail to the
* Theo recently returned from a European tour playing with
the classic psychadelic/ progressive rock band Gong . Theo was
featured soloist on saxophone and flute and visited Belgium,
Germany, Austria, Germany, Italy and France. The gigs went
extremely well and there may be further collaborations including
some recording in the future.
* Cipher is the name of the ambient project
Theo has been working on with Jade Warrior bassist Dave Sturt for
the last 4 years. Their debut CD No Ordinary Man was recently
completed, and will be released on the Hidden Art (through
Voiceprint) label in September. The CD features much of Theo's
lyrical and spacious soprano sax sound with multi layered beatless
textures and floating atmospheric soundscapes underpinned by
hypnotic and melodic fretless bass lines. Guest musicians include
Richard Barbieri (Japan/Rain Tree Crow) and Steven Wilson
(Porcupine Tree) For fans of Brian Eno's ambient albums or Peter
Gabriel's Passion this is a must! Cipher are planning some live
appearances, some with and some without visuals and these will be
* Theo Travis's website with full up-to-date information
about Theo's musical activities can be visited at
Further information from : Fax: 0181 922 3119
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
[for more info
: check out the 'Concerts' page of CALYX]
Oct 01 - London, Astoria [+ special guests Annie
==> DIDIER MALHERBE
==> KEVIN AYERS / BELGIAN DATES
Jul 11 - Koekelberg, Baseliek Plazeyfestival Park
Aug 20 - Mechelen-Vismarkt, Dijlesfeesten
Aug 22 - Wilrijk, Spytelinck Kasteel
Sep 19 - Bornem, CC
Info: BOOM! Bookings, phone: + 02 360 28 51
==> MAGICK BROTHERS (D.ALLEN/G.CLARK/M.ROBSON)
Aug 11 - Cornwall (tbc)
Aug 13 or 14 - Wimbourne, Gaunt's House Gathering
[more dates t.b.a.]
==> E.DEAN / H.HOPPER / K.TIPPETT / J.MARSHALL
Sep 04 - Chemnitz (Germany), Augustusburg Castle
==> ANNIE WHITEHEAD / ROBERT WYATT PROJECT
Oct 10 - Nottingham / Nov 14 - London, Queen Elizabeth
This project will consist of Robert Wyatt compositions
performed by a 10-piece band featuring Julie Tippetts (vocals),
Ian Maidman (vocals/bass), Didier Malherbe (sax/fl), George Khan
(sax), Harry Beckett (tpt), Jeanette Mason (kb), Liam Genockey (d)
and Gazy Azuks (pc). Phil Manzanera (gtr) will also be appearing.
Please note that Robert Wyatt *will not* be appearing, although he
will be attending various rehearsals to lend his ideas and
Jul 10 - Salisbury, Lama Tree Festival / Aug 14 - Devon,
Arlington Court Festival (near Barnstable) / Sep-Oct - small tour
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
AND OTHER GOOD
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
==> BILL BRUFORD'S EARTHWORKS
Jul 07 - Salerno (Italy), Jazz Festival / Jul 08 -
Sarteano (Italy), Jazz Festival / Jul 23 - Aanekoski (Finland),
Keitelejazz Jazz Festival / Aug 13 - Brecon (Wales), Jazz Festival
==> MIKE OLDFIELD
Jul 06 - Barcelona (Spain), Palau Sant Jordi / Jul 07 -
Palma De Mallorca, Plaza De Toros / Jul 08 - Madrid (Spain),
Plazas de Toros de Leganes / Jul 09 - Salamanca (Spain), Plaza De
Toros / Jul 10 - Santander (Spain), Campo de Futbol Castro
Urdiales / Jul 12 - Paris (France), Grand Rex / Jul 13 - London,
Wembley Arena / Jul 14 - Birmingham, Nec / Jul 15 - Dublin, The
Point / Jul 17 - Udine (Italy), Castle / Jul 20 - Fürth (near
Nürnberg) (Germany), Stadthalle / Jul 22 - Zurich (Switzerland),
Live At Sunset / Jul 23 - Leipzig (Germany), Parkbühne / Jul 24 -
Prague (Czech Republic), Sports Hall / Jul 29 - Langelands
Festival (Denmark) / Jul 31 - La Coruna Festival (Spain)
More info: http://www.mikeoldfield.org
==> OZRIC TENTACLES / US TOUR
Jul 07 - Boston (MA), Paradise Rock Club [info:
617-562-8801] / Jul 08 - Philidelphia (PA), Theatre of Living Arts
[info: 215-922-1011] / Jul 09 - New York (NY), Wetlands Preserve
[info: 212-966-4225] / Jul 10 - New York (NY), Wetlands Preserve
[info: 212-966-4225] / Jul 11 - West Springfield (VA), Jaxx
Niteclub [info: 703-569-5940] / Jul 13 - Atlanta (GA), The Variety
Playhouse [info: 414-524-7354] / Jul 14 - Winston-Salem), Ziggy's
[info: 336-748-0810] / Jul 15 - Towson (MD), Recher Theater [info:
410-547-7598] / Jul 16 - Cleveland (OH), Odeon Concert Club [info:
216-574-6328] / Jul 17 - Detroit (MI), The Majestic [info:
313-833-9700] / Jul 18 - Chicago (IL), House Of Blues [info:
312-923-2011] / Jul 20 - Milwaukee (WI), Shank Hall [info:
414-276-7288] / Jul 21 - Minneapolis (MN), First Avenue [info:
612-338-8407] / Jul 22 - St Louis (MO), Mississippi Nights [info:
314-664-1015] / Jul 24 - Boulder (CO), Fox Theatre [info:
303-447-0095] / Jul 25 - Boulder (CO), Fox Theatre [info:
303-447-0095] / Jul 27 - Ventura (CA), Ventura Theatre [info:
805-965-2231] / Jul 29 - West Hollywood (CA), House Of Blues
[info: 323-848-5700] / Jul 30 - Santa Cruz (CA), Palookaville
==> PHIL MANZANERA / 801 LATINO
Sep 24-26 - Durban, South Africa
Oct 06 October - Newark, Robert Wyatt Festival
Further UK, France and Spain dates to be confirmed.
Phil Manzanera's new studio album "Vozero" will be
released in September.
END OF ISSUE 132
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