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- WHAT'S RATTLIN' ?
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:: The Weekly
Digest for Canterbury Music
Addicts ::
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Issue #
102
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Saturday, September 5th,
1998
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From: David R Ashcraft <105704.1431@compuserve.com>
Subject: Richard Sinclair
Date: Tue, 25 Aug 1998 23:24:21 -0400
Robert from NY mentioned my reference to a concert by
Richard Sinclair. The actual date of that show was May of 1994 at
Chicago's Abbey Pub. The good news is that we shot a video of the
show. It is strictly a single camera product but the show was
great and the soundman did a very nice job so the tape is quite
good. Material is Caravan of Dreams plus some Hatfield classics
and a few tastes of RSVP. It's a solo concert and Richard plays
mostly acoustic and electric guitars with some rather cool bass
guitar excursion. The whole show is nearly an hour and a half
long.
I gave Richard a copy of the tape but alas he can't play
it in England. We had the pleasure of hosting Richard &
Heather at our house for two days and it was a wonderful
experience as they are both delightful people. Richard told some
tales of the Hatfield days but showed some real frustration with
the music business which is probably why he's back to doing
carpentry.
I would be willing to make people a copy of the concert
tape but want to be fair to Richard. How about if anyone wants one
I'll make it for you in return for sending me a check MADE OUT TO
RICHARD SINCLAIR. Then I could send them over to him in Holland.
How about ten bucks? I'll make you the tape and send it to you for
free as long as you enclose a check "For Richard" (to quote the
song title).
How's that for fair?
Regards, David Ashcraft
1323 Ada Lane
Naperville, IL
60540-0357
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From: RAYMBEN@aol.com
Subject: Aksak Maboul
Date: Tue, 25 Aug 1998 19:40:33 EDT
Hello friends--
Anyone into Aksak Maboul (or Aqsaq Maboul)? Their
first album, "Onze Danses Pour Combatre La Migraine" (1977), I
feel, is very Canterbury-like, almost a mixture of Hatfield and
Henry Cow. The second album, "En Peu de L'Ame des Bandits"
(1979), was more Henry Cow influenced (as several Cow members
guest on it). This second one was released on CD, but the first
one hasn't been. I've always liked the first one better. Anyone
know if it's going to come out on CD?
Off Canterbury-topic, I recommend Ozric Tentacles' new
live album "Spice Doubt Streaming" and Wim Mertens' new album
"Integer Valor." Look for my interview with Wim Mertens in
the next issue of "Progression" magazine (to subscribe call
1-800-545-7371 in the U.S., or email Progzine@aol.com).
--Raymond B.
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From: drj_saro <drj_saro@neo.lrun.com>
Subject: Canterbury tribute
Date: Tue, 25 Aug 98 19:57:26
[Arne Jonasson <kun.da@skelleftea.mail.telia.com>
wrote:]
>I'm looking for transcriptions of Canterbury music,
especially Hatfield's
>and National Health, as we consider to contribute to
the tribute Mellow are
>planning. Do you know of any source for that? Some
parts are not so easy to
>pick up by ear........
NO NO NO!!!!!
kill them all!!!
kill them NOW!!!!!
these are not "tributes", they are INSULTS!!!
I have heard the Mellow "tributes" to Genesis, Gentle
Giant, and Van der Graaf Generator...while _some_ of the music is
acceptably played, _most_ of the vocals are _totally_
unacceptable, and not just because of badly-accented
English, they are _often_ outright WRONG (and it is
_not_ hard to find all of these lyrics on the Internet, sos
there is NO excuse!).
Also, it has been alleged that Mellow records have not
payed the artists for the use of their material!
Julius
[I do hope the CALYX lyrics archive will help solve this
problem with this particular tribute album... This plus the fact
that a lot of Canterbury music is instrumental could be good
thing. As regards the idea of a Canterbury tribute, I can't help
but finding the idea interesting myself, although we all know the
final results of such endeavours are always mixed... I agree that
if it all sounds like Mirage covering "O Caroline" on the _Live
1994_ CD, we may be in for a bad trip... If it sounds like
Cuneiform's "Unsettled Scores", that is, talented
artists/arrangers covering talented composers, could be nice ! -
AL]
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From: c cutler <cc@megacorp.u-net.com>
Subject: Knitting Factory gig
Date: Wed, 26 Aug 1998 10:08:01 +0100
hi
erroneously advertised here at KF NY as
>Sept 7 - six original members of Henry Cow including
Fred Frith and John
>Greaves.
Should be. Two shows, both with PETER BLEGVAD, JOHN
GREAVES, FRED FRITH and
CHRIS CUTLER. The First featuring 'Unearthed' and related
materials, the
second The Peter Blegvad trio with guest Fred Frith.
to avoid confusion
Chris Cutler
79 Beulah Rd. Thornton Heath
Surrey CR7 8JG. UK.
Fax 181 771 3138
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From: nickl@lsil.com (nick loebner)
Subject: Oh what a lovely lifetime
Date: Thu, 27 Aug 1998 10:37:49 +0100
Hi all,
[Alan Terrill asked in WR101:]
> I also read the lyrics to the 1st Hatfield and the
North album and was
> surprised to find a song called "Oh what a lovely
lifetime" - where does
> this come from? Its not on my vinyl or CD version of
the album - was it an
> extra on the American release or something?
This track was incorporated in a version of "Your Majesty
Is Like A
Cream Donut" which was recorded in 1974 for the Virgin
compilation
album "V". This rarity is excellent but sadly wasn't
included as a
bonus track on either of the CD reissues of the original
Hatfield
albums by on CD.
- Nick.
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From: "Mark A. Cermak" <markcer@ameritech.net>
Subject: Mirage CD
Date: Thu, 27 Aug 1998 21:26:14 -0700
I would like to commend you on this nice web page. I'm a
huge Caravan / Camel fan and would give almost anything to get a
copy of that out of print "Mirage" live from 1994 CD. With all of
your many contacts, can you help? I've got a
very extensive LP collection for trade or else just good ole' CASH
!!!!!
Please let me know,
Thanks
Mark
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From: Earl Rapp <donnamx@waterw.com>
Subject: PETER BLEGVAD TRIO / U.S. TOUR
Date: Mon, 31 Aug 1998 07:55:39 -0400 (EDT)
Hello Everyone:
My wife and I are making plans to see Peter Blegvad Trio
in Philadelphia September 12th. Has anyone in this forum
seen these Canterbury Cats ?? If you have; would you
please
e-mail me privately and tell me about your concert
experience.
Also really looking forward to the re-issue of Elton
Dean's
first solo album in September on Cuneiform
Best Wishes:
Earl Rapp
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From: phil howitt <facelift@gpo.sonnet.co.uk>
Subject: various
Date: Mon, 31 Aug 1998 17:15:11 +0100 (GMT/BST)
Hi Aymeric
First off, congratulations on reaching issue 100. I worked
out that it would take Facelift until about 2039 to reach a
hundred issues, so your workrate is admirable.
Just got back from my travels in Indonesia (more of which
later) to a heap of mail both electronic and otherwise. A few bits
of info to pass on:
Recent CDs recieved for review:
Pierre Moerlen's Gong 'Full Circle Live' - (Outer Music) -
decent quality performance from 1988 promoting Second Wind, but
with versions of tracks all the way back to Expresso II.
Greaves/Blegvad/Herman - Kew Rhone (Voiceprint) - think
you all know about this reissue of the classic LP from '77 -
includes multimedia track in PC and Mac formats - some of these
tracks have reappeared in different form on the current batch of
John Greaves reissues, also on Voiceprint
Ayers/Oldfield/Wyatt: Garden of Love (Voiceprint): fairly
'difficult' soundtrack instrumental mini-CD from Whole World era.
Soft Machine Live 1970 (Blueprint) - classic era but
pretty low sound quality on this one.
Third Ear Band (BLueprint): Songs from a Hydrogen Jukebox
- no date details on this one but this is the third CD from latter
era (early 90s) Third Ear Band which included Lyn Dobson in the
line-up, which possibly answers one of the questions in your last
WR.
Kevin Ayers: Too Old to Die Young/Banana Follies - 2 BBC
concert session CDs on the Hux label - the first a double CD. The
first CD of this is Whole World sessions, the second including
Ollie Halsall/Andy Summers/Zoot Money. Banana Follies is an
extended Archibald line-up including Archie Leggett, Lol Coxhill,
David Bedford from 1972.
Elton Dean/Mark Sanders/Roberto Bellatella: Into the
Nierika - Blueprint CD produced by Mark Hewins
Faraway - Far from the Madding Crowd (Resurgence) - new
project from Harry Williamson (MotherGong) and Liz van Dort. Soft
of operatic voice meets gentle dancebeats and atmosphere.
Pip Pyle's Seven Year Itch - just in from Voiceprint, this
is proving to be pretty much glued into my CD player - I could
spend pages and pages describing this album - it's so varied in
styles, so many different musicians play on it and each track
tells its own story. I suppose the closest comparison I could come
up with is a John Greaves album, since it's essentially songs
based but has real complexity and depth in its compositions. Phil
Miller, Dave Stewart, Jakko in particular make their mark on more
than one track. It's every bit as good as we all hoped it would
be. All I can say to every WR reader is buy it when you get the
chance!
Gig news - just heard about a gig at The Fleece, at
Boxford in Suffolk (01787 211123) - they put on regular jazz and
have booked The Theo Travis Band including Bill Bruford for 11
September. You may remember that Theo Travis has just released an
album with John Marshall and Nucleus guitarist Mark Wood. Internet
site for the Fleece is
http://cswww.essex.ac.uk/FSS/Fleece/jazz.html
Answer to a couple of queries: I too was rather annoyed
that the Isotope 2 on 1 CD release missed out a track from the
Illusion album, particularly as the track missing was Sliding
Dogs, a Hugh Hopper original. I was looking forward to hearing
this version again as the same track turns up twice on Hugh's
'Monster Band' album recently released on Culture Press.
In answer to the person who was talking about Canterbury
sheets music, there is certainly a Soft Machine sheet music book
out there somewhere, which I remember seeing some photocopies of
(indeed, the front cover of Facelift issue 3 was actually a
miniaturised reproduction of the sheet music for none other than
the track 'Facelift'! (no-one has ever commented on this apart
from Hugh Hopper - did anyone actually notice?). From memory I
think it was published around 1972 but will certainly be years and
years out of print. But it does exist.
One question of my own: Pip Pyle's excellent album
reminded me of his previous work with each of the Domancich
sisters: has anyone been following the careers of Sophia and Lydia
Domancich since their CDs were released on the French label
Gimini? I suspect that Gimini are no longer going, but have either
of them released further solo albums since then?
One last thought - whilst travelling around Indonesia in
July and August (in particular Bali) I found it practically
impossible to avoid the sound of the gamelan orchestra. For those
uninitiated, the gamelan orchestra consists of several dozen men
playing tuned percussion instruments making music that is more
rhythmic than melodic. These are not the marimbas and vibraphones
that Pierre Moerlen and company play, but mainly instruments
consisting of metallic plates which produce a clear ringing tone.
The sound of 20 or so of these instruments together is
extraordinary - it sounds almost anarchic but is actually
carefully scripted - everyone plays their part in constructing the
rhythm. The reason for mentioning this? Well, what do you think an
orchestra of gamelan players is known as???
*******************************************************************************
FACELIFT MAGAZINE has been exploring the Canterbury scene
and beyond since
1989.
Facelift 18 (92 pages), including a mammoth Bill Bruford
interview, and Facelift 19 (76 pages), with Dirk Campbell, Pierre
Moerlen interviews are now available for £2 each (£2.50 Europe, £3
elsewhere) from Phil Howitt, Facelift, PO Box 69, Manchester M16
8RD, UK.
For this and details of back issues and subscriptions you
can also e-mail us at: facelift@gpo.sonnet.co.uk
*******************************************************************************
[About Sophia Domancich - she is now the pianist in the
Orchestre National de Jazz, so she has less time for her trio, but
it's still going. Gimini did apparently have problems in the past
years, and Sophia's third trio album was released on Magma's
Seventh label, but her latest is on Gimini. - AL]
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From: Jeff Kamil <harryhat@harryhat.com>
Subject: Pip' 7 year itch
Date: Tue, 01 Sep 1998 14:22:07 -0700
Hi Everyone,
Is there any word if Pip Pyle's "7 Year Itch" CD is
available yet, and if so, how and where can it be purchased?
Thanks
Jeff ("H the H")
[It has apparently just become available from Voiceprint.
I guess it's available online from Musart -
http://musart.co.uk/pippy.htm - AL]
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From: "Bailey, Jim"
<baileyj@donmspcn.cmail.southam.ca>
Subject: Fred Frith played Toronto!
Date: Wed, 02 Sep 98 20:10:00 EDT
Greetings all,
Sorry I wasn't able to post advanced notice of this gig,
but it was at rather short notice, and with the nature of the
digest format it probably wouldn't have made it in time anyway.
Still, here's the scoop:
Fred not only played a club date here, but also did a
workshop after which there was a performance with the
participants. Unfortunately, I was unable to take part in or
attend the latter, but did manage to see the first one. And all
this while on holiday, apparently (or so the promoter said).
Perhaps that's why it was so sudden.
The club gig was at a place called the Rivoli, which has
had a number of good shows over the years. Kevin Ayers played
there a couple of years back, as did The Matchbox Purveyors (Lol
Coxhill and Ian Hinchliffe), whom I managed to record with Lol's
permission. Fred did a trio set first, with two local musicians;
Anne Bourne on 'cello, and John Oswald (of Plunderphonics fame) on
alto sax. It had a bit of a droning sound, probably due to a
seeming reluctance of Ms Bourne to do anything too adventurous.
Oswald did his usual sparse blurting on sax, and occasionally
speaking through it as he has taken to doing recently. Fred? well,
the usual assortment of implements and bizarre playing styles,
although not too extreme, probably so as not to overshadow the
others. He came back for a solo set later, however, and managed to
stretch out considerably, playing a hollow-body electric, and a
peculiar looking small-body acoustic. Naturally, the e-bow was
there, as were the ribbons, metal cups, rice, etc. A very
entertaining evening all round (despite the $20CDN cover charge
and $4 bottles of beer).
Apparently he spent a few days, after the workshop, at a
cottage somewhere north of Toronto before heading off to join
Cutler and Blegvad in the States.
I know someone who was helping out with the workshop, so
I'll try to find out what I can about how that went.
Ta-ta.
Jim Bailey
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
*
FORTHCOMING CANTERBURY-RELATED
CONCERTS
*
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
[for more info : check out the 'Concerts' page of CALYX -
see URL below]
IN CAHOOTS / FRENCH DATES
Oct 16 - Argenteuil
Oct 17 - Massy
[more tba]
PETER BLEGVAD TRIO / U.S. TOUR
[P.Blegvad-J.Greaves-C.Cutler]
Sep 07 - The Knitting Factory, New York City (with Fred
Frith)
Sep 12 - Philadelphia, Nick's
Sep 13 - Silver Spring, Phantasmagoria
Sep 14 - Pittsburg, Millvale Independent Theatre (with
David Thomas)
Sep 16 - Cleveland, Speaking In Tongues
Sep 17 - Chicago, Martyrs [3855 N. Lincoln Ave], 9pm
AVANT-GARDE ROCK FESTIVAL
The Knitting Factory, New York City
Sep 06 - Roy Harper
Sep 07 - Peter Blegvad Trio/One-Time Quartet (PBT+Fred
Frith)
Sep 08 - a combination of the former + others
CHRIS CUTLER - MISC. DATES
Sep 11 - The Knitting Factory, New York City [w/D.Thomas
etc.]
Sep 30 - Paris, Instants Chavires [w/R.Lussier]
Oct 17 - Berlin, SFB Radio Haus [w/S.Hirsch/L.Glandien]
Oct 24 - Bucarest, Radio Haus [w/I.Dumitrescu]
Nov 14 - Berlin [w/L.Glandien]
Nov 16 - Kracow, Goethe Institut (Audio Art Festival) [w/
P53]
Nov 19 - Paris, Instants Chavires
[w/JJ.Pauvros/JM.Montera/T.Buck]
CARAVAN
[Hastings-Sinclair-Richardson-Coughlan-Leverton-Boyle-Bentall]
Oct 30 - London, Astoria
DIDIER MALHERBE/PIERRE BENSUSAN
Sep [22-30] - Irish tour
Oct [2-10] - UK tour
FRED FRITH/CHRIS CUTLER DUO
Oct 10 - Torino, Salone Della Musica Festival
Oct 11 - Vilnius, Jazz Festival
FORGAS BAND PHENOMENA
Sep 11 - Paris (France), Studio des Islettes [tel:
142.586.333]
Sep 12 - Paris (France), Studio des Islettes [tel:
142.586.333]
Sep 23 - Paris (France), Peniche 'La Balle Au Bond' [tel:
140.518.706]
Oct 09 - Paris (France), Peniche 'Le 6/8' [tel:
143.807.454]
Oct 23 - Paris (France), Theatre Dunois [opening for John
Wetton]
Nov 13 - Paris (France), Le Glaz'Art [tel: 140.364.849]
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
END OF ISSUE 102
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WHAT'S RATTLIN' ?
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RATTLIN' ?
_________________________________________________________________________
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